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Wednesday, July 21, 2010

DISNEY WORLD



















DISNEY PICTURE

It's easy to animation is designated as a secondary form of art and cartoons and news are largely made for children, small amusement gueule the arts festival devotees or the cinema, something to watch while you wait for the popcorn.

But animated movies - everything from feature length films, Saturday morning cartoons that quirkier short, the National Film Board documents filled ideology like any other form of art, and especially with the commercial product they are powerful vehicles for some ideas of our culture.

What messages are hugely popular Disney animation back on women, for example? It depends on the movie to a certain extent, but there are a number of stock female characters that appear in most commercial, American-produced animated features: the (increasing) convex, a little whiny, but vital innocent heroine (Little Mermaid, Pocahontas ), the adorably strong modern heroine, determined to make his own destiny to fulfill, without hair to ruin (Belle in Beauty and the Beast) and larger-than-life matron who was either threatening (Cruella the VII in 101 Dalmatians) or comic (Queen of Hearts in Alice in Wonderland) or both (the ugly stepsisters in Cinderella). Disney's Tinkerbell, Peter Pan's peevish, jealous and petty little friend is a particularly vicious display of a woman scorned. But we've heard before that and then finally in Los Angeles, with the result that recent Disney films have reduced some of sexism (but still insulting stereotypes unpopular minorities exhibit by Arabs and homosexuals).

Even the violent, is a noisy Saturday morning cartoons now equipped warriors with women about their breasts formidable formidable breasts and more attitude than a taxi driver in New York City.

But this progress does not like the look at me, just an update of the kernel to reduce stereotypes. In most animated films today, the women characters are either old or attractive, but never both.

There are not many heroines who are successful and unattractive, either, in animation or live action movies. The modern comic book heroine can pursue a career, but if they do not snag a handsome prince, she also has not really succeeded.

There are exceptions to the ditzy ladies, bodacious babes and warty-nose witches that populate the country show. The indomitable Lucy in the animated versions of Charlie Brown is not Minnie Mouse. And The Simpsons, subversive creation of Matt Groening, features female characters more nuanced and complicated than Wilma and Betty from the Flintstones. But they remain exceptions.

According to Maureen Furnished, editor and founder editor of Animation Journal and director of film studies at Chapman University in Orange, California, the animation industry is still looking for physical comedy and animators have trouble making the kind of comedy with women. "

As for Disney - Furnished in the city of Ottawa International Animation Festival, which ended Sunday - said: "There are people who care", and there have been recent encouraging changes in the management of the company. But as a whole, "much of it (Disney) produces is immune, not only for women and minorities, but for the world." Some animators are trying to solve these problems by creating animal characters of ambiguous gender, or by painting their characters blue or green rather than black, brown or white to circumvent. But, says furnished, "or the practice where animals or colors that a principle means of transcending stereotypes. They are avoiding techniques."

Fortunately there are alternatives to Disney's vision and some were on display Sunday at the National Arts Centre in a series entitled Women in Animation, organized by Furnished and her pupils, Lyne Herbots.

Furnished not include a feminist alternative to the Little Mermaid, but to show how many different ways that women without limitations of a multi-million dollar industry is represented.

The show included work with two bold, wickedly witty and formed the British animators, Candy Guard and Joanna Quinn. Guard short piece is equipped with two girlfriends at a party, worry about what to wear is too early to be ignored, and eating too much junk. It is a closely observed, and a feeling of inferiority happy look on our insecurity as women, hardly a feminist manifesto, but revolutionary, because it is so true.

Maps Quinn tells the story of Beryl, a Welsh factory worker stabbed by her colleague Vince, a pawn in his own mind about her weight. As revenge takes Beryl and Vince bodybuilding victory on his record, turning the tables on him and on conventional imaging cartoons of fat women.

More familiar, though less realistic, it is a 1950 Hollywood classic "Little Red Hot Riding Hood, with a testosterone laden Wolf, Little Red Riding Hood, a comprehensive review torchy lounge singer and her grandmother as a sex-crazed diva. It is dated in a dumb mindless way, and sometimes funny.

ABOUT DISNEY:

While working on Pesemen-Rubin Art Studio, Disney met fellow artist named Ubbe Iwwerks and the two became instant friends. They created their first company, Iwerks-Disney Commercial artists, but it collapsed because they were a few customers. The two began to work for Kansas City Film Ad, where he continued to experiment with animation and different techniques. After two years, Disney quit his job to launch his second business.


"It 's something that will never be finished," Disney once said of Disneyland. "Something I can keep developing and adding to." Disney was a management genius, a pioneer in branding and marketing. Constantly thinking about how far it could stretch marks Disney, Disney set new industry standards for its ability to capitalize on his name.

"Somehow I can not believe there is any heights that can not be scaled by a man who knows the secrets of making dreams come true," Disney said. "This special secret, it seems, can be summarized in four C. They are curiosity, confidence, courage and constancy and the greatest of these is trust."

"I think that an innovator," said Disney. "Tomorrow could be a wonderful age."

"It like formal gardens," said Disney. "I like nature. It's just a wilderness instinct in me, I think. " Despite his apparent disregard for structure, Disney was a practical businessman, who enjoyed taking control over all aspects of their community . When it became a part of the personality-driven, hands-on Disney nature was also due to a lesson learned the hard way early in his career.

"It's quite fun to do the impossible," said Disney. He was a man who rarely rejected the possibility of using new and exciting opportunities. Whether in his animations, or amusement parks, Disney has built his career on creating unique and innovative experiences. Because he was constantly into unknown territory, not necessarily have to take risks. Not all risks borne fruit. Like all firms, Disney to take lessons on when to commit to the idea, and when to pull the plug.

Inside the Magic Kingdom: How Disney achieved success - by clicking Read Article
"Always remember that this all started with a dream and a mouse," Disney said.


Walt Disney may be one of the most beloved of American visionaries and entrepreneurs, but there is much about Walt Disney that his fans do not know. For example, do you know that Walt Disney's actual autograph bears no resemblance to the famous Disney logo? Or that Walt Disney got his idea for Mickey Mouse when I look at the mouse to play in the garage one night? And despite the fact that Walt Disney himself afraid of mice.

The Unofficial Guide to Frommer's Walt Disney World, author Bob Sehlinger says: "When it comes to Walt Disney World either need a frontal lobotomy or plan." Indeed, the huge complex of theme parks like Walt Disney World is not enough research, there are undoubtedly many things that never would have noticed or uncovered by the public. From what happens in the 'backstage area of Walt Disney World in the number of ghosts that live in the Haunted Mansion, Walt Disney World trivia, which is the subject of avid discussion.

In 1955 opened the first Walt Disney Resort in Anaheim, California. It was very popular, but despite its success, market research showed that only two percent of the visitors who came to the resort from the east of the Mississippi River. Walt Disney Resort has been able to attract people from a region where three-quarters of the U.S. population actually lived. Founder Walt Disney was also unhappy with many companies that have emerged around Disneyland and wanted more control over a larger area.It is consistently ranked among the best vacation destinations in the U.S. if not the world, and became the backbone of the cultural landscape in America. If you've never been a Disney Orlando, you're missing a unique experience - a unique experience that you want to share with more than 40 million people each year, it is.

After the success of the world famous Disneyland in California, wanted the founder Walt Disney to expand their operations. Pacific began buying land in central Florida under the mask of fake companies in order to keep prices low. The second February 1967, after a meeting with various local laws, civil and industrial leaders, was the new Walt Disney Florida project announced in a press release from Walt Disney Productions. Called "Disney World," the new Walt Disney Florida project to be built on a 43-square mile piece of land sixteen kilometers southwest of Orlando, Florida.


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